![]() Guitarist Steve Marker credited Garbage front-woman Shirley Manson for coming up with a lot of the "sunny-pop" melodies on the song, explaining "that's something that we've always tried to do - have a dark lyric disguised by a happy pop melody. A MicroLynx deck synchronizer was used to marry the analogue tape and digital audio workstation outputs, while the final mix was printed utilizing two Studer 2" tape machines. ![]() All of Shirley's vocal, drum and bass parts (performed by the band's touring bassist Daniel Shulman) were recorded to analogue "to get tape compression", while loops and sound effects were left in ProTools. The percolating keyboard parts were created by programming some sounds on a Planet Phatt synth module and running them through a guitar amp, complemented by a harmonic guitar note with a filter pulse applied. The scratchy vinyl record sound came from a Victrola gramophone that belonged to engineer Billy Bush's grandfather. Drummer Butch Vig used three different snare drums, each hit consecutively and each processed (one through a flanger, one pitch shifted down and one gated), and made into a loop and matched with the Nord for that opening sequence. For the intro, the band routed a Nord synthesizer through a guitar pedal and distorted the sound in a 48-track ProTools set up. "When I Grow Up" was written and recorded at Smart Studios during the 1997 sessions for Version 2.0.
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